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Open My Eyes. Benedetto Marcello. Choir sheet music. Organ Accompaniment sheet music. Beginning.

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Mở mắt của tôi. Benedetto Marcello. Nhạc hợp xướng. Cơ quan đệm bản nhạc. Bắt đầu.

Bản dịch gốc

Open My Eyes composed by Benedetto Marcello. 1686-1739. Arranged by Dale Gortenhuis. For 2-part Choir. Keyboard. Unison, two and 3-part choir. Last Sundays of Easter Season, Ascension, Pentecost. WLP Choral Series. Vision, light, spirit, discipleship, praise. Easy. Moderate. Octavo. 6 pages. Published by World Library Publications. WL.008761. This graceful and flexible arrangement of a work by Benedetto Marcello allows even small choirs to sing a well-crafted anthem with ease and success. The two voices can be assigned to soprano. alto, tenor. bass, or women. men. Larger choirs can make use of this piece by varying the voicing for different sections of the piece. The opening section presents interesting interplay between the two vocal parts in a series of petitions for increased faith. The musical character changes to praise, and seamlessly returns to the first section. da capo. to complete the classic form. Dale Grotenhuis' lovely arrangement makes the most of this fine music and text.

Bản dịch

Open My Eyes composed by Benedetto Marcello. 1686-1739. Arranged by Dale Gortenhuis. 2 phần Choir. Bàn phím. Unison, hai và 3 phần hợp xướng. Last Sundays of Easter Season, Ascension, Pentecost. WLP Đồng Ca Dòng. Vision, light, spirit, discipleship, praise. Dễ dàng. Vừa phải. Thứ tám. 6 trang. Được xuất bản bởi thế giới Thư viện Ấn phẩm. WL.008761. This graceful and flexible arrangement of a work by Benedetto Marcello allows even small choirs to sing a well-crafted anthem with ease and success. The two voices can be assigned to soprano. alto, tenor. bass, or women. người đàn ông. Larger choirs can make use of this piece by varying the voicing for different sections of the piece. The opening section presents interesting interplay between the two vocal parts in a series of petitions for increased faith. The musical character changes to praise, and seamlessly returns to the first section. da capo. to complete the classic form. Dale Grotenhuis' lovely arrangement makes the most of this fine music and text.
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