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Abun D'bash'maiyo. Choir sheet music. Advanced.

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Abun D'bash'maiyo. Nhạc hợp xướng. Nâng cao.

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Abun D'bash'maiyo composed by Traditional Syriac Chant. Arranged by Mark D. Templeton. For Choir, SATB. 21st Century, Sacred, World, Folk. Advanced Intermediate. , , Sheet Music Single. Mark Templeton Choral Music #MTN002. Published by Mark Templeton Choral Music. S0.18978. Composed by Mark Templeton for SATB divisi chorus a cappella. Since the dawn of the first century, the text from the gospel of Matthew 6. 9-13, known as the Lordâs Prayer, has inspired many musicians across the globe from Palestrina to Schubert to Duruflà and countless modern composers. The vast collections of Western plainchant and Byzantine chant also include the Lordâs Prayer in their repertoire. Probably the most unheralded version comes from the Beth Gazo, a collection of liturgical chants and hymns of the Eastern Syriac Orthodox Church. The Beth Gazo. The Treasury of Chants. is the Eastern Churchâs equivalent of the Liber Usualis of the Roman rite. The roots of the collection can be traced as far back as the second century with Ephrem the Syriac contributing the bulk of the chants. It is supposed that thousands of chants existed in the original collection, but since they were only passed down through an oral tradition, only 700 or so have survived. Only in the late twentieth century have musicologists begun to preserve these in musical notation. The Abun dâbashâmaiyo. Our Father. is one such chant that has survived. When I set out to compose the Lordâs Prayer for my Compline, I wanted to try something different. I searched until I came across this version from the Peshitta text in Syriac, one of the dialects of old Aramaic. Historians and biblical scholars generally agree that Jesus would have spoken Aramaic. I thought it would be wonderful to compose something using the language, or near language, of Christ. I decided to use the actual chant from the Beth Gazo as my melody. The melody uses the Arabic maqam, Nahawand. نهØونØ. , which is basically a melodic minor scale found so prevalently in music from the Fertile Crescent. The chant is sung like a hymn with four verses repeating the same melody. The only words that are not traditionally used as part of the chant is the title, Abun dâbashâmaiyo. I set these words as a kind of intoning chant before each verse with the last intonation using the full divisi and power of the choir. This meditative and somewhat surreal setting is well suited for any sacred service or for a multi-cultural concert. Mark Templeton, born 1974, is an American choral composer, conductor, and countertenor. Templetonâs music has been performed across the world at various international festivals and ACDA conventions. Some of his music is published by Santa Barbara Music Publishing, and he has recently started to self-publish. He teaches and resides with his wife, Becca, at West Nottingham Academy in Colora, Maryland, the oldest boarding school in the United States. He also enjoys coaching, playing, and watching soccer when he is not working. He is available for commission upon request. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

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Abun D'bash'maiyo composed by Traditional Syriac Chant. Sắp xếp bởi Mark D. Templeton. For Choir, SATB. 21st Century, Sacred, World, Folk. Nâng cao Trung cấp. ,, Tờ nhạc đơn. Mark Templeton Choral Music #MTN002. Được đăng bởi Mark Templeton Choral Âm nhạc. S0.18978. Composed by Mark Templeton for SATB divisi chorus a cappella. Since the dawn of the first century, the text from the gospel of Matthew 6. 9-13, known as the Lordâs Prayer, has inspired many musicians across the globe from Palestrina to Schubert to Duruflà and countless modern composers. The vast collections of Western plainchant and Byzantine chant also include the Lordâs Prayer in their repertoire. Probably the most unheralded version comes from the Beth Gazo, a collection of liturgical chants and hymns of the Eastern Syriac Orthodox Church. The Beth Gazo. The Treasury of Chants. is the Eastern Churchâs equivalent of the Liber Usualis of the Roman rite. The roots of the collection can be traced as far back as the second century with Ephrem the Syriac contributing the bulk of the chants. It is supposed that thousands of chants existed in the original collection, but since they were only passed down through an oral tradition, only 700 or so have survived. Only in the late twentieth century have musicologists begun to preserve these in musical notation. The Abun dâbashâmaiyo. Cha của chúng tôi. is one such chant that has survived. When I set out to compose the Lordâs Prayer for my Compline, I wanted to try something different. I searched until I came across this version from the Peshitta text in Syriac, one of the dialects of old Aramaic. Historians and biblical scholars generally agree that Jesus would have spoken Aramaic. I thought it would be wonderful to compose something using the language, or near language, of Christ. I decided to use the actual chant from the Beth Gazo as my melody. The melody uses the Arabic maqam, Nahawand. نهØونØ. , which is basically a melodic minor scale found so prevalently in music from the Fertile Crescent. The chant is sung like a hymn with four verses repeating the same melody. The only words that are not traditionally used as part of the chant is the title, Abun dâbashâmaiyo. Tôi đặt những lời này như một loại intoning chant trước mỗi câu với ngữ điệu cuối cùng bằng cách sử dụng divisi đầy đủ và sức mạnh của các ca đoàn. This meditative and somewhat surreal setting is well suited for any sacred service or for a multi-cultural concert. Mark Templeton, sinh năm 1974, là một người Mỹ nhà soạn nhạc hợp xướng, nhạc trưởng, và countertenor. Templetonâs nhạc đã được thực hiện trên toàn thế giới tại các liên hoan quốc tế khác nhau và ước ACDA. Một số nhạc của ông được xuất bản bởi Santa Barbara Music Publishing, và ông gần đây đã bắt đầu để tự xuất bản. Ông giảng dạy và sinh sống với người vợ của mình, Becca, tại Tây Nottingham Academy COLORA, Maryland, các trường nội trú lâu đời nhất tại Hoa Kỳ. Ông cũng thích huấn luyện, chơi, và xem bóng đá khi anh không được làm việc. Ông có sẵn cho hoa hồng theo yêu cầu. In kỹ thuật số là bản nhạc in sẵn bất cứ lúc nào, bất cứ nơi nào. Chỉ cần mua, in ấn và phát. Xem nhạc trực tuyến của bạn ở nhà, trường học, nơi làm việc hay bất cứ nơi nào bạn có một máy tính kết nối Internet. Sử dụng ứng dụng iPad của chúng tôi để xem bản nhạc kỹ thuật số của bạn trên đường đi. Với in kỹ thuật số, bạn có thể in bản nhạc kỹ thuật số của bạn ngay lập tức sau khi mua, hoặc chờ cho đến khi thuận tiện của nó. Và cài đặt phần mềm của chúng tôi rất dễ dàng - chúng tôi sẽ hướng dẫn bạn qua các bước đơn giản để đảm bảo bạn có phần mềm Adobe Flash Player, Adobe AIR và liệu ứng dụng âm nhạc Thêm AIR.